影片通过六个章节来描述这个在1943年几乎遭到纳粹完全歼灭的塞萨洛尼基犹太群体的生活状态，以及他们所受到的威胁。过去和现在的交替构成了一个宽大的回音室，身处其间的观众将会体验到那令人惊骇的疯狂人性。

上世纪七十年代，在中国还没有全面开放之时，来自意大利、法国、美国和日本的四位纪录片大师不约而同地来到中国，用镜头记录下了中国和中国人生活的方方面面，留下了四部轰动世界的纪录影像——《中国》（意大利）、《愚公移山》（法国）、《从毛泽东到莫扎特》（美国）、《上海新风》（日本）。这些影像，不仅让世界第一次大范围了解中国，也为中国人回顾历史、回忆父辈祖辈，留下了宝贵的财富。四十年过去了，中国发生了哪些变化？影像中出现过的那些普通人，还能否寻觅？ 　　今天，同样是来自意大利、法国、美国和日本的四位国际友人，再次来到中国。曾经的影像，让他们第一次模模糊糊地认识了中国，此刻，他们决定用自己的双眼，看看如今的中国，发生了那些巨变。难能可贵的是，他们重新找到了那些出现在过去影像中的普通人，通过贴近的观察、真实的记录，将中国四十多年的变化自然呈现在眼前。 　　我们用一部五集纪录片，一年的时间，记录下了四位寻访人的探索中国历程，在新、旧画面之间的切换自然流露出岁月的力量，巨大的变迁，就在这看似不经意的巧妙变换中，让人感慨、深思。

创作者言：画画和做动画，是我内观的方式，是我梳理自己心中的混乱的首选媒介。我是一个极容易受外界影响和暗示的人。一个没有稳定核心，无法给予自己坚实的肯定的我，在他人的声音和外界的不可控力量中，我是一片无力的树叶，一片极其任性的树叶。我拒绝被改变，拒绝被夺走自己守护的东西。出于某种精神上的求生本能，我拼命抓住自己的倒影。它是理想的我，是我想成为的样子，我拒绝和ta断开联系。而这影又无法触及，它飘渺到微风细雨风即可扰乱它，更不用说风暴和巨浪。不稳定的我紧紧抓着不稳定的理想自己的样子不肯放手。影片的最终，我大胆畅想：曾经我破碎于风暴和浪潮，它们是中立的，来自外部的，壮阔的，充满不可控力量的。如果我和它们，以及我的理想自我均融为一体，或许会获得内心的宁静？有一天，我也许不会像现在这样抗争和抗拒一切。那个时候，我也许会收获稳定的自我，我的心也变得更加广阔。我痴迷日本筝曲，第一次听到这首Gaku，“一个主人公深陷美丽海浪不可抵挡的力量“的画面就自然生成了，可以说，整个片子都个为了这一段画面而做的（笑）。制作材料我用了我沉迷的炭粉材料（就是可以刷牙的那种炭粉），搞了一种炭笔绘画和非固定撒粉结合的手法。采用逐帧手绘动画，在纸上用手将炭粉塑形，并即时拍摄。拍摄完之后，炭粉掉落，被抹去，该画面便不复存在。这是一种没有回头的手法，很适合我自杀式创作的性情。唯一能捕捉记录它存在过的便是相机。它是即时的，即兴的，不可复制的，充满浓烈情感和冲动的，充满爆发力的，肆虐地宣泄着的，变化的，反应当下制作者心静的。

两万五千美元成本，16mm胶片的独立僵尸电影 　　6 complete strangers are forced to band together and flee the city when a zombie outbreak occurs. But after making camp in the middle of the wilderness, the group realise its each other they should fear.

两万五千美元成本，16mm胶片的独立僵尸电影 　　6 complete strangers are forced to band together and flee the city when a zombie outbreak occurs. But after making camp in the middle of the wilderness, the group realise its each other they should fear.

祖先代代担任官僚首位的超精英的家世·浅见家。那个吊车尾的次子坊·光彦，被历史上最年少就任了警察厅刑事局长的哥哥·阳一郎，明亮地豁达重视名誉和…

It's the early 1990s in the continuing saga of the Dollanganger family. After undergoing psychiatric treatment in his teens following his encounter with his now deceased grandmother Corrine Foxworth, Bart Sheffield has become the sole heir of Corrine's estate. He has rebuilt Foxworth Manor where he is living, and has legally changed his last name from Sheffield to Foxworth. The estate is legally being managed by Bart's father, Christopher Sheffield, until Bart turns twenty-five as stipulated in Corrine's will. Bart brings together his entire family to celebrate his twenty-fifth birthday, at which time an extra clause in Corrine's will is to be read as per her instructions. The family includes: his parents Chris and Cathy Sheffield, whose incestuous relationship Bart is aware; his older brother and his wife, Jory and Melodie Marquet, who are both renowned ballet dancers; and his adopted younger teenaged sister, Cindy Sheffield, who is openly exploring her sexuality. Bart has pushed his family away since his psychiatric treatment, most specifically Chris, who, as not his biological parent, he no longer wants in his life, and Cindy, who he has never viewed as his sister and thus a member of the family. An incident at the birthday leads to the entire family needing to stay longer at Foxworth Manor. Bart has become religiously fanatical, much like his great-grandparents, Malcolm and Olivia Foxworth, who he secretly idolizes. The spirit of Malcolm lives through Bart, who tries to dictate what happens with and to his family, as he has a warped view of the female gender based on his parents' relationship, and as he reconciles his own animal urges against his/Malcolm's religious beliefs.

本片为中国传媒大学艺术学部动画与数字艺术学院15级学生大三联合创作。